Posts from — April 2008

(Translated by Arthur G. Chater.New : York: Knopf, 1936. New translation by Tiina Nanally.) (Norwegian title: Fortællingen om Viga-Ljot og Vigdis. Christiania (Oslo): Aschehoug, 1909.)

Set in Norway and Iceland at the beginning of the eleventh century, Gunnar’s Daughter is the story of the beautiful, spoiled Vigdis Gunnarsdatter, who is casually raped by the man she had wanted to love.

A woman of courage and intelligence, Vigdis is toughened by adversity. Alone she raises the child conceived in violence, repeatedly defending her autonomy in a world governed by men. Alone she rebuilds her life and restores her family’s honor, until an unrelenting social code propels her to take the action that again destroys her happiness.

More than a historical romance, Gunnar’s Daughter depicts characters driven by passion and vengefulness, themes as familiar in Undset’s own time - and in ours - as they were in the Saga Age. A strong, unsentimental book by Undset.

Gunnar Staalesen is Norwegian, born in Bergen, 1947. He has, among other books, written a series of crime books starring Varg Veum. The first book in this series was published in 1977. Varg Veum is a kind of Scandinavian Philip Marlowe. He is a former social worker turned private detective. Staalesens books have been translated in 12 languages. The Writing on the Wall was originally published in Norwegian in 1995.

In The Writing on the Wall, Varg Veum returns from the funeral of his ex-wife’s most recent husband to find the distressed mother of missing 16 year old girl Torild, waiting to see him. Usually, when women are waiting to see Veum, something bad has happened or will happen.

Also, Bergen is buzzing with rumours about the death of Judge Brandt after he is found dead in a hotel room wearing flimsy female underwear.

Varg Veum starts digging. He looks into the last known sightings of Torild and her few friends. They seem to centre around a local amusement arcade. What initially seems pretty normal, rebellious behaviour seems to be covering up something more sinister, and Veum soon receives death threats. Then Torild is found dead.

Gradually what appears as the result of Veum’s digging, is a thriving teenage prostitution scene in the city. Varg is also convinced, that there is a connection to the death of Judge Brandt. Before long, Varg finds himself deep within the seedy underbelly of Bergen’s criminal world.

The Writing on the Wall is a detective novel you like or don’t like. To a large extent this has to do with Varg Veum. The novel itself is good, it is well written, and Staalesen is great with dialogues, but it doesn’t really excite you. However, if like me you have read a number of Staalesen’s novels and love Varg Veum, it is a great book. And generally, I think readers that like Veum will also like this book. But Veum isn’t all that likeable! He is a straight, believable hero, but he is a little boring and simpleminded to some readers. Personally, I like him because he is pretty low key for a guy from Bergen, and is a little bit shabby. I do recommend it.

Order The Writing on the Wall (Eurocrime), by Gunnar Staalesen from amazon UK!

The Fourth Man, actually the fifth novel about inspectors Gunnarstranda and Frolich (Frølich) by K O Dahl, is in some ways more similar to American crime novels than for instance those by Scandinavian authors like Karin Fossum, Karin Alvtegen, Jo Nesbo, Ake Edwardson or Henning Mankell. It is a hard-boiled noir style novel with a lean style, and reminds me more of Dashiell Hammett and Raymond Chandler. There is, however, considerable psychological depth.

In the course of a routine police raid, Detective Inspector Frank Frolich of the Oslo Police saves the life of Elizabeth Faremo. She is a dark-haired beauty with mysterious eyes who was inadvertently caught in the crossfire. This is where The Fourth Man starts. Some weeks later, Frolich coincidentally runs into her again. He is attracted to her and they start an affair, even though his colleagues warn him about it.

By the time Frolich learns that Elisabeth is the sister of a known local gang-member, Johnny Faremo, it is already too late. And then Johnny is implicated in a crime, a security guard is attacked and killed. But Elisabeth gives her brother and his gang an alibi and Frolich’s name is mentioned. Then Elisabeth disappears. Now Frolich is plunged into both an emotional tempest as well as a complex investigation. He is forced to rethink their relationship. Were things as they seemed?

Frolich is asked to take some time off. And his boss Gunnarstranda is upset and believes Frank has been played from the very beginning. And as the body count increases, Frolich begins his own unofficial investigation.

Complex, dark and tragic, The Fourth Man is a tale of revenge and erotic obsession, where love lures a good cop to walk on the wild side. This is classical crime noir in a modern setting. It has it all: cynical strippers, tough-talking gangsters, corrupt businessmen, mixed identities and a bona fide femme fatale. Dahl’s language is, as one critic put it “spiced with small poetic observations … of remarkably high quality.” The author himself says that this is his project, to “combine the genre literature with a little poetry and literary storytelling.” The Fourth Man proves that Dahl is able to do this.

Order from amazon UK: The Fourth Man and The Man in the Window.