Gentlemen, by Klas Ostergren

Gentlemen was originally published in Swedish in 1980, and received great reviews all over Scandinavia. It has been excellently translated into English by Tiina Nunnally. Östergren is a great storyteller, and it is good that the novel is now available in Gentlemen, by Klas Ostergren English, even though it took quite a while.

Bibliography, Klas Östergren

Klas Östergren
  • Attila (1975)
  • Ismael (1977)
  • Fantomerna (1978)
  • Gentlemen (1980) (English translation by Tiina Nunnally, 2007)
  • Giganternas brunn (1981)
  • Slangbella (1983)
  • Fattiga riddare och stora svenskar (1983)
  • Plåster (1986)
  • Hoppets triumf (1987)
  • Ankare (1988)
  • Handelsmän och partisaner (1991)
  • Under i september (1994)
  • Med stövlarna på och andra berättelser (1997)
  • Tre porträtt (2002)
  • Gangsters (2005) (English translation by Tiina Nunnally, 2009)
  • Orkanpartyt (2007) (The Hurricane Party, English translation by Tiina Nunnally, 2009)

Klas Ostergren’s novel covers 40 years, and the main story is the tale about the Morgan Brothers in post war Stockholm and around Europe. Henry, the oldest, is a boxer with his tie always done in a Windsor knot, a jazz piano player, a composer, a bartender, and also an old-fashioned gentleman with a Gatsby-like capacity for turning life into a feast. Leo is his younger brother and somewhat of a star poet, philosopher, political provocateur, and a drunk as well. Their strange tale is told by a certain Klas Ostergren – the narrator of the story. He is a beaten up and scared young writer who hides in a Stockholm apartment and writes the story of its disappeared inhabitants: the odd, flamboyant and perhaps even charismatic Morgan brothers. He may be a friend of the two brothers – exactly what is a little unclear. He tells the stories of their strange lives, their relationships, and their adaptation to the changing times and circumstances.

Henry is – to me at least – by far the most interesting, and perhaps even somewhat of a magnetic personality. Leo is strange – one he has suffered a mental breakdown and has the ability to bring down a disaster at any time. It is Leo, of course, that involves them in a scandal with illegal weapons and gangsters. Soon the three men – the Morgan’s and the narrator - find themselves trapped in a dangerous plot.

One possible take on the book is to view it as a story about how a younger man becomes enthralled by an older one – that is, how the narrator/author is taken under the wing of Henry Morgan and perhaps “seduced” by him. And Henry helps him find work and introduces him to his wily friends. To a large extent, this is the story of the first section of the novel.

Henry lives his life on a very on a grand scale. He finances this by selling off his grandfather's rare book collection and other various small capers. Leo, on the other hand, lives smaller and is concerned primarily with preserving his sanity. Klas, is sucked in, seeks desperately to understand it all, and most certainly enjoys the grandness of it all. But grasping the big picture is not at all an easy job - there is international scheming and intrigue, as well as politics and business, and large hidden forces at work affecting Henry and Leo, and, of course, Klas as well. Klas struggles, yet seems to never be sure of what he experiences – what was real, what was he just imagining, and what has he overlooked or completely forgotten?

Gentlemen is viewed by the Swedes as perhaps the most important literary work to emerge from Sweden in the past thirty years. Whether it is true, I am really not so sure. It is a tremendous novel, and a wild ride to read – enjoyable as well – but as yet I am still uncertain as to its greatness. To the extent there is greatness, it is with the story more than with the writing itself – it’s the story that keeps you turning the pages. But regardless of what it is – you can be the judge of that – it is definitely a book well worth reading.

The Hurricane Party, by Klas Ostergren

Klas Ostergren is an imaginative and very The Hurricane Party, by Klas Ostergrencreative writer. The Hurricane Party is a dystopian tale set in some future point in time, full of wit and written in a beautiful, rich language, and superbly translated by Tiina Nunnally. The story seems heavily inspired by old Nordic mythology, reshaped in a very interesting fashion by Klas Ostergren.

The novel on the surface tells the tale of a former insurance investigator, a man named Hanck Orn. Hanck is a man who has been blessed twice over. First he lost his job, but was lucky and found an old collector of typewriters. Hanck bought all the typewriters and was able to establish himself as a typewriter repairman – a wizard of typewriters, refurbishing ancient machines. And as typewriters are in heavy demand in the city where he lives, he makes good money and manages very well.

The second blessing occurred when he met a woman, had a very short but intense affair, and soon after became a very proud and loving father. His son, Toby, was, according to Hanck’s mother, born to be a chef. And, for sure, he becomes a chef: a very talented, perhaps even brilliant chef.

Then Toby dies. Hanck feels the whole meaning of his existence is gone. He is informed two Clan apparatchiks that Toby has died, but not where it happened or how. The whole incident is covered up by the ruling elite in this totalitarian state; people he talks to refuse to tell, they have been scared and are obviously afraid to talk. So Hanck sets out on a journey to uncover the truth. What he finds is utterly shocking: His son was killed because he sneezed. He was killed by the demi-god Loki, in a party where all the gods participated and where Toby had been involved as a chef. Hanck cannot accept it – he wants to see his son, and he wants the murderer punished. To achieve this, he has to meet up with the Old Man – who really is the Nordic god Odin – and try to enlist his support.

I loved The Hurricane Party. It is in many ways a strange book, telling a tale of a dark society where suffering is abundant, yet also conveying a sensitive, fabulous tale of the power of love. The latter part of the book, where the Gods come more sharply into focus, is hilarious and very amusing. It is a very different story than the ones I have previously read by Klas Ostergren, in many ways a courageous experiment in style and genre, and a most remarkable book. I strongly recommend it!

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